2024

“My autonomous presence in the university exists only in relation to my presence in my collective noninstitutional communities, which means my role is to demand the language and story of the people who are at stake in what eventually manifests to the institution as knowledge. Scholarship has an immense power in that it is one cog in the machine of society which connects the momentum of the people to the methods that can disrupt and reimagine the measurement and value of a life.”

Natalie Diaz, MFA

Natalie Diaz was born on the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. She is Mojave and an enrolled member of the Gila River Indian Tribe (Akimel O’odham). Diaz is the author of Postcolonial Love Poem; winner of the Pulitzer Prize in Poetry; finalist for the National Book Award, Forward Prize in Poetry, and Los Angeles Times Book Prize; and winner of a Publishing Triangle Award. Her first book, When My Brother Was an Aztec, was winner of an American Book Award. She is a MacArthur Foundation Fellow, a Lannan Literary Foundation Fellow, a Native Arts and Culture Foundation Fellow, and a former Princeton University Hodder Fellow. Diaz is founding director of the Center for Imagination in the Borderlands and the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University, where she is a professor in the English MFA program. In 2021, Diaz was elected a chancellor of the Academy of American Poets and was a finalist for the Neustadt International Prize for Literature. Diaz resides in Phoenix, Arizona, where she continues the lifelong work of documenting Native and Indigenous languages. She was a 2023–24 Mellon Foundation Research Residency Fellow and is a senior fellow at the New School Institute on Race, Power and Political Economy as well as the 2023–24 Yale University Rosenkranz Writer in Residence.  

ADDITIONAL SUPPORT FOR THE FREEDOM SCHOLAR AWARDS HAS BEEN PROVIDED BY THE INATAI FOUNDATION.

Postcolonial Love Poem

In her second collection, Postcolonial Love Poem (Graywolf Press), Natalie Diaz locates the body not simply in flesh and bone, but in land, water, myth, ritual, memory, in the space beyond language and speech. Divided into three sections, the collection spans generations, geography, and poetic form, refusing the imposition of a linear history or singular identity.

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When My Brother Was an Aztec

Natalie Diaz’s debut collection, When My Brother Was an Aztec, foregrounds the particularities of family dynamics and individual passion against the backdrop of the mythological intensity of tribal life and a deeply rooted cultural history.

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Freedom Scholar Class of 2022 link
Freedom Scholar link of 2023
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Questions about the Freedom Scholar awards can be sent to freedomscholars@caseygrants.org.